World Cafe kicks off its "Sense Of Place" trip to North Carolina with a visit to Mount Moriah's practice space, which is also lead singer and songwriter Heather McEntire's home outside of Raleigh, N.C.
Right near the top of this performance, Benjamin Clementine looks toward the camera with an intense stare and sings, "Where I'm from, you see the rain / Before the rain even starts to rain." At that point, when I'm already hanging on every word, I feel like I'm witnessing an almost otherworldly presence — a visitor with wisdom to impart.
Chicago's Twin Peaks was formed in 2009 by lead vocalist and guitarist Cadien Lake James. With power chords and power-pop melodies, the band recorded its debut EP in James' basement and released its first full-length, Wild Onion, in 2014. Twin Peaks began while its members were still in high school, and the quartet built up a fervent local following playing house shows and becoming prominent in Chicago's DIY basement scene before graduating to small clubs.
Multi-instrumental musician, Andrew Bird is known for his precise composition, his impeccable instrumentation, his playful, ambiguous lyrics — and, yes, his whistling. But he says that on his latest record, Are You Serious, his personal life nudged him into a radical change of approach.
Through May 15, the Philadelphia Museum of Art is housing "International Pop," an exhibit that showcases a global collection of pop art from 1956 to 1972. If you visit, you'll find well-known names like Warhol and Lichtenstein, but also many others from Argentina, Japan and elsewhere, including a large number of female artists.
Singer-songwriter Lucinda Williams' new album, The Ghosts Of Highway 20, is her second double album in a row — she's most certainly been prolific in recent years. The titular stretch of highway passes through resonant places in Williams' life and provides perfect context for songs about the people and events she's encountered along the way.
Formed in the fringes of early '90s Los Angeles indie rock, The Summer Hits crafted pop that lingered around the orbits of twee, shoegaze and ramshackle teenage garage rock. What set the band apart was its approach — it caked on elements of those sounds to extremes, noisy and pretty all at once, and played with a grit that made the master tapes buckle.