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Music

L.A. Salami sings and fingerpicks his acoustic guitar like an old truck winding through windswept blue highways. The British artist's debut album Dancing With Bad Grammar was one of Bob Boilen's top 10 albums of last year, saying it was a "hidden gem in 2016."

When PWR BTTM takes the stage, it doesn't take long to figure out what you're going to get. From the first glitter-smeared seconds of the set-opening "Silly," the band came to shred and swagger with infectious joy, complete with backbends and solos and spangly outfits — at least one of which wouldn't survive the band's set at Stubb's BBQ in Austin, Texas, recorded live for NPR Music Wednesday night.

On Tuesday, Feist's new album, Pleasure, was announced with a release date of April 28 — amusingly, to the surprise of Leslie Feist herself. Now we have the title track, her first new original song in six years.

The Shins visited our studio for one of the first full-band performances behind the new album Heartworms. Frontman James Mercer produced this album on his own — something he hasn't done since The Shins' 2001 debut album, Oh, Inverted World. "The Fear" sounds incredible live with a string section.

Set List

  • "The Fear"

Photo: Larry Hirshowitz/KCRW.

The resistance is real in the world of Amazon Video's original series The Man in The High Castle, based on the award-winning book by Philip K. Dick. Set in 1962, the show imagines a history where Germany and Japan actually won World War II and, 17 years after the loss, the United States is split between Nazi Germany (the East Coast) and Imperial Japan (the West Coast). In the midst of it all, a resistance movement has been formed in a neutral zone to fight for freedom.

At the end of 2014, Geneviève Castrée and I were writing back and forth to each other about domestic life, baking bread, and the forthcoming records by both her own Ô Paon project (Fleuve) and and that of her husband Phil Elverum: Mount Eerie's Sauna.

For more than a decade, singer-songwriter Sera Cahoone has specialized in a shy, introverted kind of folk music: She started her career at the back of the stage, playing drums for Carissa's Wierd and Band Of Horses, and the solo songs that followed reflected the gently unassuming nature of a singer who couldn't showboat in the spotlight if she tried.

Kelly Lee Owens' self-titled debut is a folk-pop album – kind of like how Arthur Russell, a longtime hero of the singer/songwriter/producer for whom she names the collection's wonderful second track, is a folk-pop artist. That is, completely and not all. Its melodies are effortless, romantic and repetitive; its atmosphere replete with pastoral open spaces and the kind of spiritual longing at the heart of human intimacy.

After missing two chances to control the compositions he co-authored while in The Beatles — once in 1969 when he and John Lennon were outbid and again to Michael Jackson, in a duplicitous move by the King of Pop, in the '80s — Paul McCartney is not taking any chances.

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