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Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

Our bleary-eyed, ear-ringing week of seemingly non-stop live music in Austin, Texas has ended and we're back one last time to reflect on the 2018 South by Southwest festival and play some of our favorite discoveries.

When I told Mal Blum about the Future of Secrets art installation in which they'd be performing a South X Lullaby, Blum immediately had the perfect song.

It's the most wonderful time of the year! At least it is for avid music fans like us and anyone else attending the South By Southwest festival in Austin, Texas. The annual endurance challenge gets underway this week, with thousands of bands from around the world — and many more fans — converging on the city for a seemingly endless bender of live performances — shows both big and small that last all day, every day, into the wee hours of the morning, with music pouring out of every club, restaurant, street corner and alleyway for miles.

This is a complex and fascinating conversation with Kevin Shields of My Bloody Valentine about the latest version of the band's legendary 1991 album, Loveless. It's also about the group's future.

Riddles, the third album by Ed Schrader's Music Beat, is a fascinating piece of work that is both ugly and beautiful, often at the same time. The beauty of this music is in the trance-inducing pulse that drives it; a chaos of pulsing, incessant rhythms.The sound is reminiscent of two bands that captured my musical world around 1978 — the aggressively minimalist electronics-and-poetry duo Suicide and the dark, futuristic sounds of Pere Ubu's Dub Housing.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Has anyone ever watched the Grammy's and concluded that the Recording Academy really nailed it? (No one has ever concluded they nailed it). So we begin this episode of All Songs Considered with a simple question: Why keep watching?! It's like being addicted to disappointment and outrage.

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