KNBA - KBC

Lars Gotrich

Anna von Hausswolff's voice has truly begun to equal her instrument. Like the pipe organ she commands at harrowing volumes and in disquiet drones, her howls rattle and shake with a sublime elasticity on "The Mysterious Vanishing Of Electra," the first single from Dead Magic.

Reality is weird — a series of events that connect from birth to death. Shame's singer, Charlie Steen, doesn't claim wisdom of the process, he's just pulling hot embers from this unruly fire, singing in a hoarse scrawl: "My nails ain't manicured / My voice ain't the best you've heard / And you can choose to hate my words / But do I give a f***."

Jay Som's Everybody Works was one of NPR Music's 50 best albums of 2017, a guitar-driven rock record with complex arrangements and even more complex emotions all wrung out from singer, songwriter and producer Melina Duterte.

There must be some meaning to life if we still have music — it gives form to our existential dread, and sometimes you can dance to it. In just four short years, Nap Eyes have made much ado about meaninglessness with rock 'n' roll songs that shake just offbeat and smart lyrics wrapped in bemused ennui.

While independent bands don't quite have the ability to make the earth stand still like Queen Bey — we all fall short of the glory, etc. — one lesson learned from the surprise-album release is how an artist and a fan trust each other. Album announcements, artwork announcements, teasers for single premieres, the actual premiere, a video for the same single, a teaser for the second single — you can understand why some artists who have been at this a while would rather skip the industry cycle and go direct.

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