Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

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Music Reviews
1:35 pm
Mon April 20, 2015

'Sound & Color' A Bold Leap Forward For Alabama Shakes

Alabama Shakes' new album, Sound & Color, is powered by more than just the vocals of Brittany Howard.
Brantley Gutierrez Courtesy of the artist

Originally published on Mon April 20, 2015 2:23 pm

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First Listen
7:03 pm
Sun April 5, 2015

Review: Calexico, 'Edge Of The Sun'

Calexico's new album, Edge Of The Sun, comes out April 14.
Courtesy of the artist

Originally published on Tue April 14, 2015 7:53 am

Really, how much hoodoo can there be out in the desert?

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First Listen
7:03 pm
Sun February 15, 2015

First Listen: Dan Deacon, 'Gliss Riffer'

Dan Deacon's new album, Gliss Riffer, comes out Feb. 24.
Frank Hamilton Courtesy of the artist

Originally published on Wed February 25, 2015 6:07 am

The glissando (gliss for short) is a musical term describing the sound of an instrument as it glides from one pitch to another. A favorite trick of jazz hornmen and slide guitarists, the gliss can be a woozy, gleeful sound or a mournful one. When executed by a virtuoso violinist, the notes between the start and the finish of the gliss blur together into a gorgeous, ribbonlike swoop of sound.

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First Listen
7:03 pm
Sun February 8, 2015

First Listen: José González, 'Vestiges & Claws'

José González's new album, Vestiges & Claws, comes out Feb. 17.
Malin Johansson Courtesy of the artist

Originally published on Tue February 17, 2015 5:42 am

He asks a lot of questions, this José González.

He opened his last album, 2013's band project Junip, with a thought experiment Nietzsche could love: "What would you do if it all came back to you?" The song, "Line Of Fire," dwells in a mood of idle 3 a.m. musing; González tosses out existential/metaphysical conundrums like he's feeding bread to ducks — casually, without worrying much about concrete answers.

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First Listen
7:03 pm
Sun February 1, 2015

First Listen: The Districts, 'A Flourish And A Spoil'

The Districts' new album, A Flourish And A Spoil, comes out Feb. 10.
Ryan Farber Courtesy of the artist

Originally published on Tue February 10, 2015 10:16 am

Countless bands perform a variation on the medium-uptempo edge-of-rage eruption perfected by the likes of the Pixies and Green Day. It's become so ubiquitous, you almost don't have to listen: It's possible to get a headline-news sense of the song without fully apprehending the words. The spike in the guitar attack and the rawness of the vocal help telegraph the outline of a narrative: Here we are in the aftermath of a relationship in turmoil. Trust is broken. Someone's been wronged. Wounds are fresh.

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